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Arliss Newcomb

  • Thoughts

    About NWSSA... from NWSSA members

    Steve Taplin
    Vic Picou
    George Pratt
    Arliss Newcomb


    SteveTaplin
    This sounds like a great bridge through winter…

    I’ve learned to carve in a community. There is energy in the people that is hard to describe but I feel it as soon as I get on the field. And when I start carving I am comforted and encouraged by all the noise around me. I can feel others at work. The whir of angle grinders and scream of blades cutting stone is bizarrely reassuring. The chink, chink, chink of hammers on chisels and chisels on stone resonates with some spirit deep inside me. Being in this community stirred that spirit twenty+ years ago when I first walked on the field with some clay and watched George Pratt working a face in stone. Like everyone else he was open and interested in teaching. In this community there is always someone who has more knowledge or who has insight about design or the problem I’m facing with a piece. Watching George stirred and seduced that spirit in me long ago and I’ve never looked back or wondered about whether I belonged. This community is home.

    Stephen Taplin




    My interest in stone began as a child on the beach, and has given me countless adventures in art. My back can feel like stone at times, so I adjust my path with new challenges in scale and color. My love for translucent stone is mirrored in the rainbow spectrum found in my latest figure drawings. It’s all a colorful journey, as I wrote in a poem in 1975, “My energy is a boat traveling the spirals of the universe, lifting and drifting through an illuminated space.” The stone’s color and volume calls me to my grinder and then, another new dust cloud. Then ka-pow, a vein of color begs to be chased, and new surfaces and shadows appear for texture or polishing. FUN to be 10 again, but in a Grandpa body!

    VicPicouWe came together “to provide access to professional trade information and to promote stone sculpture,” and because of this, I’ve had many opportunities to learn so much and to exhibit with fine sculptors. Our network of caring has created a fun group of people. NWSSA was my second cradle, and my main support of friends. It was the ambiance at Camp B, 1994 that enabled me to carve the 2-ton Moonflower. The energy grew in the enchanting moments at Silver Falls: that vein of friends in the circle of stone is where, it happened. We pulled ideas from the stars, and stones from the river to make art and friends.


    I’m having the time of my life as President of Pasadena Society of Artists (begun circa 1925), a board member for California Sculptors Symposium (April 2017), and through exhibiting frequently in the L A area and in Palm Springs.

    THANK YOU NWSSA!

    Vic Picou
    Burbank, CA www.victorpicou.com
    NWSSA 1986-present
    President 1989-1996, Symposium Director 1989-2000



    Thoughts inspired by our Association, you ask, Penelope and Lane? The mind reels with warm thoughts—and for a wordy guy like me, it’s painful to confine them to the 300 words requested. I know you’ll be proud of me!

    GeorgePrattFirst thought: There is nothing, absolutely nothing, so valuable to a stone sculptor (even a hoary old one like me) as immersion in an environment of other carvers—closely enough to savor the way they apply their skill; to sense their thought processes in working through thorny technical problems; to delight (or not) in a line or form developing in the project on their table—then subliminally emulating it in one’s own work. Paradoxically, the best take-away is often from the ‘newbie’. A symposium, it’s called—invaluable beyond reckoning. At symposia, we are immersed in a sea of sculptural creation. Ideas and skills flow exponentially according to the level of energy on the field; we work ourselves to exhaustion—and we emerge better sculptors.

    Second thought: I receive abiding inspiration in observing that core of effervescent people who give their all to the perpetuation of our Association. You know the ones—they are those members/sculptors listed on the masthead of Sculpture Northwest. It is they who have unfailingly been the central heating unit of our big house. They come; they fire us up; they move on. Yet some perennially remain with us, causing me to reflect with amazement and gratitude how our association is buoyed up as they infect us all with their dedication. As NWSSA approaches the 30-year mark, we older members are fading away. May we never forget those who faded away before us but whose commitment sustained us in their time.

    Bless them all.

    George Pratt


    I really can't name any other organization as unique as NWSSA. We are so welcoming to everyone, from world renowned sculptors to people who are just beginning to learn the craft of working in stone.

    ArlissNewcombWhen people ask me about my art education, I tell them I have been fortunate over the last twenty-five plus years in having teachers from all over the world as my mentors. Our yearly symposiums have given me my extensive education, which I do not think I could have gotten anywhere else. I have tried to pass on this knowledge, over the years, to help other sculptors.

    And in the spirit of sculpting solidarity, and to help celebrate my 80th birthday, I’m hosting a women’s workshop. It will be held at the Old Alcohol Plant Inn in lower Port Hadlock on June 2nd, 3rd and 4th of 2017. Look for more information in the Jan/Feb, 2017 issue of Sculpture NorthWest or email me at: This email address is being protected from spambots. You need JavaScript enabled to view it.

    Sculpt proud!

    Arliss Newcomb

  • Women's Hand Carving Workshop

    WOMAN’S HAND CARVING WORKSHOPOld Alcohol Plant
    JUNE 2-3-4, 2017


    Location: Old Alcohol Plant Inn, 310 Hadlock Bay Road, Hadlock, WA. (6 miles South of Port Townsend)

    Hours:     Friday 11:00am – 4:00pm Sat. 10:00am – 4:00pm
    Sat. evening Gallery Walk/reception 5:00pm – 8:00pm
    Sun. 11:00am – 1:00pm

    If you aren’t a hand carver, bring a partly finished piece you can rasp, chisel, or sand. I will have my Fordham flex-shaft for people to use. Bring whatever other tools you might need.

    There is room for 7 to 8 canopies on the lawn in front of the Hotel, so two people can share one canopy space. Bring a worktable, chair or stool.  If you have sculpture pedestals for up to 3 of your finished sculptures for the show and sale, bring them. (I have 5 or 6 extras I will bring.) Try and keep the size under 30 lbs. please. This is a Volunteer event so bring a bottle of wine and something for our Friday evening Pot Luck Picnic. Items needed: Paper plates, plastic forks knives & spoons. Cups, napkins. Let me know what food you plan to bring so we don’t have 10 pots of beans.

    The Hotel is not charging us to use their space for this event so (25% of all sales will be donated to their Non-Profit. Charity.)

    Total cost: Registration fee, $100.00 for NWSSA.

    Lodging:
    $120.00 for two nights at the Hotel for each person (two to a room.) I have reserved four rooms, so it’s first come-first served. Bring your own Toiletries and Bath Towels (no maid service which has kept the cost down.)
    There is a Motel ½ mile away for anyone else.

    Click Here For Registration Form

    Phone: 360-301-1085 or This email address is being protected from spambots. You need JavaScript enabled to view it.

    Arliss