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From the Editors Nov-Dec 2018

Letter from the Editors


Welcome to the last issue of Sculpture NorthWest for 2018! 

Heading into winter we can look back and enjoy the memories of our two summer symposiums. In this issue Director Doug Wiltshire reminds us of the delightful events enjoyed at Suttle Lake this year.

Those who attended Pilgrim Firs in July, had the good fortune to meet Oliver Harwood. For those of us who missed this opportunity, here is Oliver in our Artist Spotlight. The spectrum of his work is wide ranging: moving from the most delicate of figurative to massive, towering constructions. 

And it’s time for another 1 X 1 X 1 (One Artist, One Piece, One Page). Eun Parker shares her thoughts on one of her sculptures of simple elegance. 

Our Introduction of newer members continues with "Let’s Meet….”  This time we introduce two members: Jessi Eaton from Ashland, Oregon and Grant Bowman from Seattle, Washington. 

Welcome all - newer members and members of longer standing - to this issue of Sculpture NorthWest. Enjoy!

Penelope2017Lane Tompkins
Penelope and Lane


From the Editors September October 2018

Letter from the Editors

We all wait for summer, and even though this one came with higher temperatures than we’re used to, it was wonderful to be able to get out and carve. It helps if you have shade or are carving with water. Fortunately for Dale Blankenship, all of his jade carving requires water. 

If you’ve not seen Dale’s work, you are in for a real treat. He tells us in this issue just how he goes about carving his jade wonders. Look, read and be amazed.

When you read this, our two symposiums will be over for this year. But, if you missed Pilgrim Firs, Cyra Jane Hobson, director for this year’s hullabaloo, gives us a recap about some of the delightful things that happened there.

This issue introduces a new feature, 1 x 1 x 1: One Artist, One Piece, One Page. This column will be featuring artists who may or may not have a large body of work, but who have one piece they would like to feature. They send us a photo of the piece, a photo of themselves and short answers to five questions and voilà: 1 x 1 x 1. To kick off this feature, Julianne Kohn shares her jade octopus pendant and five short facts about it.

We finish up this issue with Tamara Buchanan explaining the Japanese word Dojo and how it was applied to what we used to call the beginner’s tent at Pilgrim Firs.

Stay strong, carve stone and keep hydrated.

Penelope2017Lane Tompkins
Penelope and Lane


From the Editors July-August 2018

Letter from the Editors

Larry Lawlor is from North Bend, Washington, a little town squeezed in between Interstate 90 and the base of 4,000 foot Mount Teneriffe. Though we have happily welcomed Larry at both the Oregon and the Washington symposiums, this is his first time to be featured in Sculpture NorthWest. Though relatively new to stone carving, he has, as you will see, been very busy with his hammer and chisel.

Marching into summer, we have presented the centerfold ad for Peninsula’s Camp Pilgrim Firs, and now we have for you the Central Oregon, Suttle Lake centerfold. Isn’t it wonderful to have choices? And, of course, your choice may be to do both.

George Pratt shares with us another one of his elegant little granite carvings. This time it’s banded neck ducks and a quartz crossed egg in a bronze cup.

A popular painter by the name of Bob Ross, the man with big hair and a television show, gives us inspiration we can adapt for our work with stone.

We finish up with the joy of getting together with friends and filling a pickup with lots of newly made wooden pedestals for sculpture display at NWSSA events.  

Penelope2017Lane Tompkins
Penelope and Lane


Let's Do It In Color!

Editors’ note: As of the May/June issue, the Board has made the generous and, we think, well-advised decision, to print the cover of each subsequent issue of our newsletter, Sculpture NorthWest, in color!  
This is well-advised for numerous reasons. It not only makes the publication look more eye-catching and professional, but it may also encourage carvers who publish work in the Journal to want to have their work in color as well. The cost of color in the Journal is $75 a page. As you know, we send more than 225 Journals out every two months.  
This is wonderful publicity, not only for our group as a whole, but for each carver showcased. A powerful advertising tool for sculptors to hand out to friends, families and prospective clients. 
Many thanks to the Board for taking the lead on this new era of color.

From the Editors May-June 2018

Letter from the Editors

While the spring rains continue and you are making your symposium plans, we’ve got some things we hope you will be interested to read about.

Frank Rose, a new member from Whidbey Island, has done many portrait busts in clay, but now he will show us his first one he’s ever done in stone. You’ll gasp at his boldness in experimenting with color on the limestone, as well as his finely hand-chiseled, finished piece.

Pilgrim Firs director, Cyra Jane Hobson, will outline what we can expect during NWSSA’s 31st International Stone Carving Symposium this July. There will be something for everyone; from the beginner’s tent to jade carving tables to a granite workshop.

Do you know about the storage shed that was recently built at Camp Pilgrim Firs? Much of the NWSSA equipment, such as tents and pedestals, can be kept here all year for easy access when needed. Pat Barton tells us how, with the help of many willing volunteers, it went from an idea to a reality.

It’s always stimulating to get a group talking about whether we like sculpture that is full of complexities or ultra-simple. We have for you a comparison of two artists that were at the polar ends of that spectrum. Bernini will represent the baroque and Brancusi, the minimalist.


Penelope2017Lane Tompkins
Penelope and Lane