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Thoughts & Opinions

The Times, They are A-Changin May/June 2006

Editor: While Leon shares with us some of his thoughts on how Camp Brotherhood has changed for him, let’s remember to keep our own thoughts on this subject positive and helpful. It is not an easy thing for anyone to speak about matters that may be controversial. The editors are glad that he considers it an important topic for discussion. How do you feel about what Leon has to say?

 

As the Camp Brotherhood Symposium approaches, I cannot shake a feeling of “disconnection.”

 

I have been a NWSSA member since 1989. The rewards of learning about stone sculpting and building a lifetime of friendships and looking forward to the camaraderie each time we all get together seems to have changed within the past few years. I can’t help but wonder what has happened. Why do things seem different now? This question comes up mainly about the Camp Brotherhood Symposium. I’m not just talking about other people. Even for myself, there is a disconnection: a lost-out-in-the-woods feeling, a “distance” between all of us. Where is everybody?

 

I’ve been discussing this with some other long time members who have had the same feelings. The main reason that we agree on has been the spatial changes that have taken place as Camp B’s facilities improve and new buildings are added. For the first fifteen years, Fisher Lodge was the main building, and the “HUB” of all activities. Most people stayed in the lodge’s dormitory rooms, some had tents, and a few used the cabins. But, for me, the heart and soul of what I think of as the energy came from just about all of us using the lodge as a gathering point. Whether one wanted to sit by the fireplace, read a book or symposium literature, thumb through portfolios, play the piano, sip a cup of tea or just sit and enjoy the beautiful sunsets out on the deck with a glass of wine, it was all done at Fisher Lodge.

 

There was always somebody there with whom you could spend a quiet moment to renew your sense of belonging. You folks who have been around for a while know the kindred spirit that I am talking about.

 

If you wanted to engage in conversations about art, life, personal feelings and/or challenges, whatever, there was always someone around to help make that happen. This has always been, and remains, a very important element in any symposium.

 

All of us are somewhat tentative, a little shy or insecure upon our first arrival at a place like Camp B. The Fisher Lodge hub almost guaranteed that anyone needing a personal contact would find one. With all of us there, someone would take it upon themselves to make sure that you felt welcome.

 

We had our meals there, our meetings, slide shows, lectures, dancing, singing, even drumming. All of that going on in one place seemed to facilitate the intimate culture that fed our souls.

 

These days, with the new, distant dining hall; more luxurious (and, again, more distant) cabins, and meetings scattered all over the place - our lifeblood keeps spreading out. In my opinion, it is being spread too thinly.

 

These circumstances keep all of us at bay a little, or a lot. This is especially true for the newcomers. They have to make a conscious decision and effort to participate. Yes, we are adults and do what we want, but stop and think about the apprehension and fears that you had when you showed up at your first symposium.

 

I believe that this disconnectedness has something to do with the fact that fewer people are participating and fewer are volunteering for all the tasks that make this organization function. We need to do more than to simply be a member who takes advantage of the freebies and opportunities that membership gives us.

 

The building changes have been made and we can’t go back to the way it was. What we can do is to make more of an effort to reach out to everyone, especially to those who are new. We must go to the dining hall to eat, but maybe we could have more of our events in Fisher Lodge. By gathering there more often, we might make it, once again, the socially friendly and restorative hub of Camp B.

Aging Stone Gargoyle from Washington DC Finds New Life

Once upon a time, a long time ago, an unnamed stone carver completed his carving of a manly gargoyle, with a broad nose, steady gaze and leafy hair and beard – one of several gargoyles decorating the buildings in the Federal Triangle in Washington, D. C.

 

This handsome fellow, (the gargoyle -- we have no idea what the stone carver looked like – we just assume that he, being a stone carver was good looking), stared down into the street, perhaps wondering why he was merely decoration and was not, as his ancestors had been, being used as a downspout to funnel water from the roof. Perhaps that is why his brow is furrowed. Maybe not. Sometimes it’s hard to tell what a gargoyle is thinking. A century or so later, in 1988 to be exact, Stephen King wrote the text and f-stop Fitzgerald took the photos for the visually magnificent Nightmares in the Sky. (Editor: reviewed in this issue by Jan Brown.) Among the 100 black and white and 24 color photographs is our fine leafy-haired friend from Washington.

 

Fast forward to present day when our own resourceful Jan Brown was searching for that perfect gargoyle face to adorn the T-shirts for the 2006 Roche Harbor Hand Carving Symposium.

 

We’re not sure how Jan decided upon this particular image, perhaps it was his simple asymmetry, perhaps just his straightforward gaze. Whatever the reason, Jan painstakingly transferred the image, adding a few touches of her own, and made it ready for the silk screener’s transfer to grace our Ts.

 

Adorning stonewashed blue and stonewashed green Ts, he has now become the official image for the 2006 Roche Harbor Hand Tool Carving symposium.

 

Thank you unnamed carver, thank you f-stop and thank you Jan Brown.

Dolphins at Play - May/June 2006

Sometimes you just have to sit back and allow the stone to tell you where you are needed. That was the case with ‘Dolphins at Play’. The white, Colorado marble pillar was purchased at Camp Brotherhood the summer of 2005. I had just been sewn up from an abdominal hernia, and therefore required assistance loading the truck. Normally a stone will sit for a year or more before I begin sculpting. This one, along with its base, demanded I focus, and begin as soon as possible to release the dolphins. Sure enough, once I began they appeared, and began playing.

 

I used several techniques to present my concept. The first of four sides is simple relief, while the second side is a greater detailed relief.

 

Wanting something for children to enjoy, I brought a dolphin nose out of the stone for them to touch.  Sculpting began at the top where a dolphin clearly rises out of the stone in pursuit of life. The top dolphin becomes abstract as a way of dealing with its fins. Going back to the first side, I kept it a simple relief in order to preserve the stone skin and incorporate it into the piece.

 

I used almost all of my various tools. Removing bulk stone was accomplished with my air hammer, angle grinder, hand chisel and hammer. Shaping was accomplished with my air and electric grinders, with silicon carbide wheels and coned bits. Polishing was done by hand with 50, 400, and 1,800 grit, 2 X 3 inch diamond polishing pads. Yes, it took a lot of time!

 

Fastening the pillar and base together for outdoor public display was something completely new to me. I drilled two holes about a foot into the pillar with an 18 inch long, ¾ inch diameter, water core bit, which I had custom made. I then used a template to locate the two holes in the base. The base is dense black granite from India. It took three days to drill the two holes, and they were only six inches deep. I then used a knife-grade epoxy to affix the ½ inch threaded dowel inside the pillar. On the underside of the base, I drilled an inch and a half diameter hole so I could countersink the nut and washer when I attached the two pieces.

 

Just the other day, on Saturday, April 1st, things came together. With the help of some volunteers, we installed ‘Dolphins at Play’, and another of my sculptures for public display in Puyallup, Washington. The city required a steel plate be secured to the bottom of the base so it can be welded in place to help prevent theft. That was a fun exercise, too. After three and a half months it was good to see my dolphins rising up to play. At about six feet tall, it’s impressive. I was glad to have my dad, Bob, ride along to watch the process.

 

Not far away is another of my pieces. I completed ‘Form Rising’ two years ago. It stands about three feet tall, and is sculpted from a piece of Serpentine showing a wide range of color. It looks as good as the day it was finished.

 

If you live in or around Puyallup and are interested in seeing one or both pieces, here’s where they are.  ‘Dolphins at Play’ is located on S. Meridian in position #6 (main street side of public library lawn), a place of honor, I believe. ‘Form Rising’ is at position #19, at the entrance of the train station. They will be on display for one year, and are for sale through the city. The city of Puyallup has a website, www.artsdowntown.org , but it probably hasn’t been updated yet with this year’s sculptures.

 

After working so long on my kitchen remodel, it’s great to be sculpting again. All is well, here on the Western Front, despite everything else (smile).